Remote Production Editor Jobs
Remote production editor jobs are in active demand across the U.S., with remote-first firms and distributed teams hiring across publishing, digital media, e-learning, and content marketing. Employers hiring remotely right now include Simon & Schuster, Macmillan Publishers, and The Hearst Corporation. Scan the live roles below and apply to whichever ones fit.
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The Children’s Division seeks a Sr. Production Editor to support imprints publishing picture books, middle-grade and teen fiction and nonfiction, graphic novels, and new adult novels.
Responsibilities
- Manage scheduling, trafficking, and production editorial work for approximately 45–60 titles per year.
- Ensure books meet quality standards and production deadlines through copyediting, proofreading, and organization.
- Supervise freelance copyeditors and proofreaders.
- 3-4 years of book production editorial experience.
- Strong copyediting, proofreading, and organizational skills.
- Ability to supervise freelancers and manage multiple projects and deadlines.
- Strong proficiency with Mac systems and Adobe InDesign.
Simon & Schuster US is an equal opportunity employer (EOE). At Simon & Schuster US, the spirit of inclusion feeds into everything that we do. From employee benefits/programs and social impact outreach initiatives, we believe that opportunity, access, resources and rewards should be available to and for the benefit of all. We are committed to equal employment opportunity regardless of race, color, national origin, religion, creed, sex (including pregnancy, sexual orientation, gender, gender identity or expression), age, citizenship status, marital status, and Veteran status where protected by law or any other characteristic protected by applicable federal, state, or local law.
The hiring salary range for this position applies to New York City, California, Colorado, Washington state, and most other geographies. Starting pay for the successful applicant depends on a variety of job-related factors, including but not limited to geographic location, market demands, experience, training, and education. The benefits available for this position include medical, dental, vision, 401(k) plan, life insurance coverage, disability benefits, tuition assistance program and PTO or, if applicable. Additionally, employees have access to our industry-first, Broad Based Ownership program, which makes all employees partners in our shared success.
We are committed to providing reasonable accommodations to qualified individuals in accordance with applicable law. If you need a reasonable accommodation during the application or interview process, please contact us at ssrecruitment@simonandschuster.com. Unrelated emails, such as following up on an application, will not receive a response.
Candidates hired for this or any other posted Simon & Schuster role will be employees of Simon & Schuster, LLC, subject to all policies, including the Workplace Privacy Notice, and eligible solely for the benefits plans thereof.
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Who's Hiring



What Employers Look For
The qualifications that appear most often in remote production editor jobs.
- Bachelor's degree in English, journalism, communications, or a related field
- Proficiency with a content management system such as WordPress, Drupal, or a comparable platform
- Strong command of AP, Chicago, or a house-specific style guide
- Experience managing editorial calendars and coordinating with writers, designers, and stakeholders
- Proofreading and copy editing skills with attention to grammar, style, and factual accuracy
- Familiarity with Adobe Creative Suite or digital asset management tools
Tips for Your Remote Production Editor Job Search
Apply early to remote roles that fit
Migrate Mate lists remote production editor openings from across the U.S. in one place. Check frequently and apply directly to roles that match your skills and experience before postings close.
Show your async communication in writing
Remote production editors work across time zones with minimal real-time contact. Write your cover letter and any work samples in a tone that is precise, organized, and self-contained, demonstrating that you communicate clearly without back-and-forth.
Build a portfolio around finished, polished output
Remote employers can't observe your process, so they evaluate results. Compile samples that show marked-up manuscripts, style sheet creation, or before-and-after edits that reflect your eye for consistency, accuracy, and adherence to house style.
Highlight remote-ready production tools by name
Call out the tools you know in your resume and application: InDesign, Microsoft Word Track Changes, Google Docs, Airtable, Asana, or any content management systems you've used. Remote hiring managers scan for these to assess whether you can integrate without onsite training.
Remote Production Editor Jobs: Frequently Asked Questions
How do I get a remote production editor job?
Target companies that already operate with distributed editorial teams, such as digital publishers, e-learning platforms, content agencies, and SaaS companies with content operations. Remote employers screen for self-direction, clear asynchronous written communication, and hands-on proficiency with tools like InDesign, style guides, and project management software. A portfolio showing completed, polished work gives you a concrete edge over candidates with similar credentials.
Which companies hire remote production editors?
Companies hiring remote production editors right now include Simon & Schuster, Macmillan Publishers, and The Hearst Corporation, based on current remote listings on Migrate Mate as of November 2026. Remote-first publishers, distributed content teams at media companies, and e-learning firms are among the most consistent sources of fully remote production editor openings.
Can you get a remote production editor job with no experience?
Yes, but remote entry roles are harder to land because employers expect you to work independently from day one with minimal supervision. Digital publishers, content agencies, and nonprofit organizations occasionally hire entry-level remote production editors. A portfolio of proofread or edited samples, familiarity with style guides such as Chicago or AP, and demonstrated comfort with remote collaboration tools can substitute for direct professional experience.
Do you need a degree for remote production editor jobs?
Not always. Many remote employers value a strong editing portfolio, style guide fluency, and demonstrated accuracy over a specific credential. A degree in English, communications, or journalism is common among candidates, but employers hiring remotely often weigh practical output, attention to detail in sample work, and proficiency with production workflows just as heavily as formal education.
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