Production Editor Jobs
Production Editor jobs are open across publishing, media, advertising, and digital content studios, from entry-level to senior and managing editor levels, with specializations in copy editing, content production, and editorial workflow management. See the openings below and apply to the ones that match your experience.
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The Children’s Division seeks a Sr. Production Editor to support imprints publishing picture books, middle-grade and teen fiction and nonfiction, graphic novels, and new adult novels.
Responsibilities
- Manage scheduling, trafficking, and production editorial work for approximately 45–60 titles per year.
- Ensure books meet quality standards and production deadlines through copyediting, proofreading, and organization.
- Supervise freelance copyeditors and proofreaders.
- 3-4 years of book production editorial experience.
- Strong copyediting, proofreading, and organizational skills.
- Ability to supervise freelancers and manage multiple projects and deadlines.
- Strong proficiency with Mac systems and Adobe InDesign.
Simon & Schuster US is an equal opportunity employer (EOE). At Simon & Schuster US, the spirit of inclusion feeds into everything that we do. From employee benefits/programs and social impact outreach initiatives, we believe that opportunity, access, resources and rewards should be available to and for the benefit of all. We are committed to equal employment opportunity regardless of race, color, national origin, religion, creed, sex (including pregnancy, sexual orientation, gender, gender identity or expression), age, citizenship status, marital status, and Veteran status where protected by law or any other characteristic protected by applicable federal, state, or local law.
The hiring salary range for this position applies to New York City, California, Colorado, Washington state, and most other geographies. Starting pay for the successful applicant depends on a variety of job-related factors, including but not limited to geographic location, market demands, experience, training, and education. The benefits available for this position include medical, dental, vision, 401(k) plan, life insurance coverage, disability benefits, tuition assistance program and PTO or, if applicable. Additionally, employees have access to our industry-first, Broad Based Ownership program, which makes all employees partners in our shared success.
We are committed to providing reasonable accommodations to qualified individuals in accordance with applicable law. If you need a reasonable accommodation during the application or interview process, please contact us at ssrecruitment@simonandschuster.com. Unrelated emails, such as following up on an application, will not receive a response.
Candidates hired for this or any other posted Simon & Schuster role will be employees of Simon & Schuster, LLC, subject to all policies, including the Workplace Privacy Notice, and eligible solely for the benefits plans thereof.
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Who's Hiring



What Employers Look For
The qualifications that appear most often in production editor jobs.
- Bachelor's degree in English, journalism, communications, or a related field
- Proficiency with a content management system such as WordPress, Drupal, or a comparable platform
- Strong command of AP, Chicago, or a house-specific style guide
- Experience managing editorial calendars and coordinating with writers, designers, and stakeholders
- Proofreading and copy editing skills with attention to grammar, style, and factual accuracy
- Familiarity with Adobe Creative Suite or digital asset management tools
Tips for Your Production Editor Job Search
Tailor your resume to production workflows
Hiring managers for production editor roles scan for fluency with editorial calendars, style guides, and version control. Name the specific style guides you use, such as Chicago, AP, or house style, and describe how you managed production schedules, not just that you edited copy.
Show your proofreading and markup skills
Many production editor job listings require demonstrated proficiency with editorial markup, proofreading symbols, or tracked changes in a CMS. Include a portfolio sample or link to published work where your production edits are visible, even if the final byline belongs to someone else.
Apply early to roles that fit
Migrate Mate lists production editor openings from across the United States in one place, so you can find roles that match and apply directly to each listing.
Target listings by content format, not just title
Production editor roles differ significantly between print, digital, video, and multimedia environments. Search for the format you know best, and read each job description for the specific CMS, DAM, or asset management tools named, so your application directly reflects what the team uses daily.
Prepare a production-focused work sample
If you're asked for a writing sample, submit something that demonstrates editorial judgment and production process, not just polished prose. A before-and-after edit, a marked-up proof, or a documented workflow you created will differentiate you from candidates who only submit finished articles.
Negotiate around production scope, not just title
When an offer arrives, clarify the volume of content you'll manage, the number of contributors you'll coordinate, and turnaround expectations before accepting. Production editors who skip this step often find the actual workload is broader than the job description suggested.
Production Editor Jobs: Frequently Asked Questions
Which companies are hiring the most production editors?
The most active employers for production editors right now are Simon & Schuster, Macmillan Publishers, and Goodheart-Willcox Publisher, and the most openings are in New York, California, and Texas, based on current listings on Migrate Mate as of November 2026. Demand is consistent across publishing houses, digital media companies, marketing agencies, and in-house brand content teams.
How many production editor jobs are remote?
About 100% of production editor openings are fully remote or hybrid as of November 2026, reflecting how much of the role centers on digital tools and asynchronous collaboration. Sub-areas such as digital content production, online publishing, and CMS-based editorial workflows tend to offer the highest share of remote arrangements.
How do you become a production editor?
Most production editors start with a degree in English, journalism, or communications, then build experience through copy editing, proofreading, or content coordination roles. Learning a CMS, mastering at least one major style guide, and building a portfolio of edited or produced work are the practical steps that move candidates into production editor positions.
Can you get hired as a production editor with little experience?
Yes, entry-level production editor roles exist, particularly at digital publishers, content agencies, and media startups. Employers hiring junior candidates typically look for strong editing fundamentals, familiarity with a CMS, and any hands-on work from internships, college publications, freelance projects, or volunteer editorial roles that show you can manage content through a production cycle.
What does the production editor interview process look like?
Most production editor interviews include a skills screen focused on editing judgment and style guide knowledge, followed by a practical editing test or take-home assignment. Later rounds typically involve conversations with editorial leads about workflow management, turnaround expectations, and cross-functional collaboration with writers, designers, and sometimes legal or compliance reviewers.
Where can I find and apply to production editor jobs?
You can find and apply to production editor jobs on Migrate Mate, which lists current openings from across the United States. Search for roles that fit your background, then apply directly to each listing that matches your experience, format preference, and preferred work arrangement.
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