Field Producer Jobs
Field producer jobs are open across broadcast television, digital media, documentary, and live events, with specializations in news, branded content, and reality production, from production assistant-level roles up to senior field producer. Find a role that fits below and apply directly.
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We run the YouTube channel for a big entertainment resort in Southern California. The whole channel, not a one-off campaign. We'll tell you which one on the first call.
We shoot about every two weeks, and this runs for the next year.
I'm the director. I shoot most of it myself, usually with one camera, and I handle the creative and the client. I need someone to handle everything else on the ground.
Our agency works with a lot of major brands, so if this goes well there's a good chance it leads to other accounts.
WHAT YOU'D BE DOING
Honestly, most of it is getting strangers to help us.
A resort this size has a different person for everything... security, promotions, valet, the hotel, every restaurant and bar. Most of them have never seen a YouTube shoot. You figure out who to ask, get them on board, and get it in writing. Then you do it again with the next person.
Before each shoot you'd:
- Take the plan I agree on with the client and turn it into something the property can actually run
- Build the run of show, shot by shot (time, location, what happens, what the property has to give us, who from their side is with us)
- Lock parking, the entrance, access, the meeting point, and a phone number for every contact
- Run casting sessions with talent and send me the tapes with your notes
- Work with our creator person to book creators, and take calls with them for me
- Handle travel, rooms and arrival times for talent and creators
- Sort out gear, props and insurance certificates
- Keep an eye on the budget and who's owed what
- Check every deck and schedule before the client sees it
- Keep the tracker up to date
On shoot days you'd:
- Be there from before call to after wrap
- Meet talent when they arrive and keep them where they need to be
- Get releases signed
- Keep everyone fed
- Hold the schedule (someone will try to take a location back early... it happened to us last time)
- Track receipts, petty cash, and anything that gets broken
- Have the gear laid out so I can grab what I need and keep shooting
WHO THIS IS FOR
You've produced shoots before and you know how it's supposed to go.
You've made or produced YouTube Shorts and worked with creators. If someone asked you how a Short gets made differently from a long-form video, you could just answer.
You're good with people you've never met. That's the most important part of this job.
You use AI every day (Claude, Codex, etc.) and you use it to actually build things... decks, spreadsheets, run of shows, briefs. And the stuff you send doesn't read like a robot wrote it.
If you hate using AI, this isn't the job for you.
You'd rather sort out small stuff over text than get on a call.
You live in SoCal and can get to shoots east of LA. And you're 21+ (some of our locations require it).
WHAT A GOOD FIRST YEAR LOOKS LIKE
First shoot is late November. If it goes well, every department knows we're coming, everything's approved in writing, and I spend both days shooting instead of chasing stuff down.
By month three, people on the property know you and it gets easier every time.
By the end of the year, creator shoots run without me chasing a single detail, and the channel's growing because of it.
PAY
$3,000 flat per shoot. That's about 20 hours of prep spread across the two weeks before, plus the shoot days (usually two).
It's flat on purpose. If you can get it done right in less time, good for you.
HOW TO APPLY
If it looks like a fit, we'll send you a short timed test (paid, $30). Part of it is a quick video about the hardest yes you ever got from a stranger.
Apply here with your resume and a link to your work.
Application Question(s):
- Link to a YouTube Short or creator shoot you produced, and what your job was on it.
Work Location: In person
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Find Field Producer JobsField Producer Job Market
Who's Hiring
What Employers Look For
The qualifications that appear most often in field producer jobs.
- 3 or more years of field production experience in broadcast, digital, or live event environments
- Proven ability to coordinate crews, logistics, and shoots independently under tight deadlines
- Experience shooting or directing on professional camera systems and working with post-production workflows
- Strong story development skills including interviewing subjects and building narrative structure in the field
- Familiarity with live-truck operations, satellite uplinks, or remote broadcast transmission workflows
- Bachelor's degree in journalism, film, communications, or a related field
Tips for Your Field Producer Job Search
Tailor your reel to the format
News field producers and branded content field producers are evaluated differently. Cut a reel that matches the format you're applying to, whether that's breaking news packages, long-form documentary segments, or branded client work, so hiring editors see relevant output immediately.
Apply early to roles that fit
Migrate Mate lists field producer openings from across the United States in one place, so you can find roles that match and apply directly to each listing.
Quantify production scope on your resume
Vague credits like 'managed shoot logistics' get skimmed past. Name the crew size you coordinated, the markets you shot in, and the turnaround windows you hit. Hiring producers use those details to judge whether you can handle their volume.
Target listings that name your gear experience
Many postings specify camera systems, live-truck workflows, or editing platforms. If you match the named tools, say so explicitly in your cover note rather than burying it in a skills list, since production managers often scan for exact equipment familiarity before reading further.
Prepare a shoot-day scenario answer
Interviewers for field producer roles almost always ask how you handled a shoot that went wrong. Plan a specific example in advance that shows how you re-routed logistics, managed a difficult subject, or salvaged footage under deadline, since that answer carries more weight than general experience claims.
Negotiate start dates around project cycles
Field producer offers often follow production calendar logic. If you're close to wrapping a commitment, naming a specific available date tied to that project end signals professionalism and reduces the concern that you'll leave mid-shoot.
Field Producer Jobs: Frequently Asked Questions
Which companies are hiring the most field producers?
Fox Corporation, BookedSolid, and New York Life are hiring the most field producers right now, with openings concentrated in New York, New Jersey, and Pennsylvania, based on current listings on Migrate Mate as of November 2026. Demand tends to cluster around major media markets and production hubs with active broadcast and digital operations.
How many field producer jobs are remote?
About 100% of field producer openings are fully remote or hybrid as of November 2026, though the nature of on-location shooting means most roles require significant in-person or on-site presence. Development-side tasks like story research, pre-production planning, and post-coordination are the functions most likely to allow remote flexibility.
How do you become a field producer?
Most field producers move up from production assistant or associate producer roles by taking on shoot-day responsibility incrementally. Building a reel that shows your ability to develop a story, coordinate a crew, and deliver a finished package is the core credential. Experience across different formats, news, documentary, and branded content, broadens your options and makes you more competitive for senior openings.
How do you get hired as a field producer with little experience?
Start by building credits in production assistant or shooter-editor roles where you can shadow field producers directly. Freelance gigs on documentary shorts, local news, or branded content give you reel material without requiring a staff position first. Hiring managers for entry-level field producer roles weight demonstrated initiative and a coherent, format-specific reel over degree credentials alone.
What does the field producer interview process look like?
Most field producer interviews involve a reel review followed by a conversation about specific shoots you have produced, often including questions about how you handled logistical problems, difficult subjects, or last-minute changes. Some employers add a story pitch exercise or a scenario-based question about how you would plan coverage for a hypothetical assignment. Final rounds typically include a meeting with the executive producer or department head.
Where can I find and apply to field producer jobs?
You can find and apply to field producer jobs on Migrate Mate, which lists current openings from across the United States in one place. Search for roles that match your format experience and location preference, then apply directly to each listing that fits.
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