Video Editor and Motion Designer Jobs
Video Editor and Motion Designer jobs are open across entertainment, advertising, media, and corporate communications, from junior editor to creative director level, with specializations in motion graphics, post-production, and visual effects. See the openings below and apply to the ones that match your experience.
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Showing 5 of 7+ Video Editor and Motion Designer jobs
- Review large volumes of raw footage, often terabytes per project, and pull the moments that matter
- Build clear, compelling narratives that match the brief, audience and business goal
- Edit content across formats: brand films, social clips, product videos, internal communications and event recaps
- Deliver finished pieces sized and formatted for each platform, from widescreen to vertical
- Handle color correction and basic audio clean-up so every piece is ready to publish
Motion graphics
- Design and animate titles, lower thirds, transitions, logo animations and on-screen graphics
- Create animated explainers and data visuals that make complex ideas easy to follow
- Build reusable motion templates that keep our brand consistent and speed up future edits
Asset management and archiving
- Ingest, back up and verify all incoming photo and video media
- Maintain a consistent folder structure, file-naming convention and metadata tagging system
- Archive completed projects and source media, so they are safe, searchable and easy to restore
- Manage storage across drives, servers and cloud platforms, and flag capacity needs early
- Keep a reusable library of b-roll, stills, music and graphics the whole team can draw from
How you work
- Independent: You can take a brief and run with it, managing your own time and priorities with little oversight
- Open to feedback: You welcome notes, ask good questions and turn revisions around quickly without losing the heart of the story
- A true teammate: You collaborate easily with marketing, creative, product and leadership, and you share your ideas openly
- Organized by nature: You treat the archive as seriously as the edit, because good organization saves everyone time
- Proactive: You spot opportunities to repurpose existing footage and suggest new content ideas
Job Qualifications & Experience :
- 5+ years of professional video editing experience in an agency setting
- A portfolio or reel showing strong storytelling and motion graphics work
- Expert skills in Adobe Premiere Pro or DaVinci Resolve (Final Cut Pro also welcome)
- Strong motion graphics skills in Adobe After Effects
- Working knowledge of Photoshop and Illustrator for preparing graphics and stills.
- Proven experience organizing and archiving large media libraries, including backup workflows, naming conventions and metadata
- Comfort working with high volumes of footage, multiple codecs and camera formats, and proxy workflows
- A sharp eye for pacing, composition, typography and brand consistency
- Proven ability to thrive in a fast-paced environment, managing several projects at once and delivering on quick turnarounds
- 3D modeling and animation skills in Cinema 4D, Blender or similar
- Character or 2D animation experience
- Experience with digital asset management (DAM) or media asset management (MAM) systems such as Frame.io, Iconik, or Adobe Bridge
- Sound design and audio mixing skills
- Photography or videography experience, including shooting your own b-roll
- Familiarity with AI-assisted editing and production tools
- Review large volumes of raw footage, often terabytes per project, and pull the moments that matter
- Build clear, compelling narratives that match the brief, audience and business goal
- Edit content across formats: brand films, social clips, product videos, internal communications and event recaps
- Deliver finished pieces sized and formatted for each platform, from widescreen to vertical
- Handle color correction and basic audio clean-up so every piece is ready to publish
Motion graphics
- Design and animate titles, lower thirds, transitions, logo animations and on-screen graphics
- Create animated explainers and data visuals that make complex ideas easy to follow
- Build reusable motion templates that keep our brand consistent and speed up future edits
Asset management and archiving
- Ingest, back up and verify all incoming photo and video media
- Maintain a consistent folder structure, file-naming convention and metadata tagging system
- Archive completed projects and source media, so they are safe, searchable and easy to restore
- Manage storage across drives, servers and cloud platforms, and flag capacity needs early
- Keep a reusable library of b-roll, stills, music and graphics the whole team can draw from
How you work
- Independent: You can take a brief and run with it, managing your own time and priorities with little oversight
- Open to feedback: You welcome notes, ask good questions and turn revisions around quickly without losing the heart of the story
- A true teammate: You collaborate easily with marketing, creative, product and leadership, and you share your ideas openly
- Organized by nature: You treat the archive as seriously as the edit, because good organization saves everyone time
- Proactive: You spot opportunities to repurpose existing footage and suggest new content ideas
Job Qualifications & Experience :
- 5+ years of professional video editing experience in an agency setting
- A portfolio or reel showing strong storytelling and motion graphics work
- Expert skills in Adobe Premiere Pro or DaVinci Resolve (Final Cut Pro also welcome)
- Strong motion graphics skills in Adobe After Effects
- Working knowledge of Photoshop and Illustrator for preparing graphics and stills.
- Proven experience organizing and archiving large media libraries, including backup workflows, naming conventions and metadata
- Comfort working with high volumes of footage, multiple codecs and camera formats, and proxy workflows
- A sharp eye for pacing, composition, typography and brand consistency
- Proven ability to thrive in a fast-paced environment, managing several projects at once and delivering on quick turnarounds
- 3D modeling and animation skills in Cinema 4D, Blender or similar
- Character or 2D animation experience
- Experience with digital asset management (DAM) or media asset management (MAM) systems such as Frame.io, Iconik, or Adobe Bridge
- Sound design and audio mixing skills
- Photography or videography experience, including shooting your own b-roll
- Familiarity with AI-assisted editing and production tools
Video Editor and Motion Designer Jobs by Experience Level
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Find JobsVideo Editor and Motion Designer Job Market
Who's Hiring
What Employers Look For
The qualifications that appear most often in video editor and motion designer jobs.
- Proficiency in Adobe After Effects and Premiere Pro for editing and motion graphics work
- Portfolio or demo reel demonstrating completed video and motion design projects
- Experience with color grading tools such as DaVinci Resolve or Lumetri Color
- Ability to interpret creative briefs and deliver assets within tight production deadlines
- Familiarity with Cinema 4D or similar 3D animation software for advanced motion work
- Bachelor's degree in film, graphic design, media production, or a related field
Tips for Your Video Editor and Motion Designer Job Search
Build a reel that earns the click
Your portfolio reel is screened before your resume in most hiring decisions. Front-load it with your strongest 30 seconds, label each project with the software and your specific role, and keep the total runtime under two minutes.
List every tool you actually know
Job listings for this role filter heavily by software. Call out your proficiency in After Effects, Premiere Pro, DaVinci Resolve, Cinema 4D, and any other tools you use regularly. Vague phrases like 'Adobe Suite' get skipped by applicant tracking systems.
Apply early to roles that fit
Migrate Mate lists video editor and motion designer openings from across the United States in one place, so you can find roles that match and apply directly to each listing.
Target listings by deliverable type
Video editor and motion designer roles vary widely by output: social content, broadcast spots, explainer videos, or brand films. Read each listing for the deliverable type it names most, then match your reel samples and resume language to that specific output.
Prepare a breakdown for your reel pieces
Interviewers will ask you to walk through specific projects frame by frame. Know your creative choices, the brief you were given, the turnaround time, and what you would do differently. Vague answers about process are a common rejection point.
Negotiate rate before discussing revision terms
When an offer comes in, clarify the rate first, then ask about revision rounds, turnaround expectations, and asset ownership before accepting. These terms affect your workload far more than the base number and are almost always negotiable before you sign.
Video Editor and Motion Designer Jobs: Frequently Asked Questions
Which companies are hiring the most video editor and motion designers?
32Productions, Rankings.io, and Collier Simon are hiring the most video editor and motion designers right now, with openings concentrated in New York, Arizona, and Virginia, based on current listings on Migrate Mate as of November 2026. Demand is especially consistent from media companies, advertising agencies, and in-house creative teams at large consumer brands.
How many video editor and motion designer jobs are remote?
About 40% of video editor and motion designer openings are fully remote or hybrid as of November 2026, reflecting how much of this work can be delivered digitally. Motion graphics and social content roles tend to be the most remote-friendly, while on-set editing and broadcast production roles more commonly require an in-person or on-site presence.
How do you become a video editor and motion designer?
Start by learning the core software: After Effects and Premiere Pro are the industry standard entry points. Build foundational motion design skills through personal projects, spec work, or freelance clients. Assemble a focused portfolio reel that shows finished work, then target junior editor or motion designer roles at production companies, agencies, or in-house creative teams to build professional credits.
Can you get hired as a video editor and motion designer with little experience?
Yes, employers in this field consistently hire based on reel quality over years of experience. A strong portfolio built from student films, freelance projects, or personal work can get you into junior and contract roles. Focus on demonstrating clean cuts, polished motion graphics, and an understanding of pacing and visual storytelling rather than listing titles you have held.
What does the video editor and motion designer interview process look like?
Most hiring processes start with a reel or portfolio review before any interview. If your reel advances, expect a call with a creative director or producer where you walk through specific projects and discuss your process and tools. Some employers add a short skills test or a paid trial edit. Final rounds typically involve the broader team and a conversation about project workflow and creative direction.
Where can I find and apply to video editor and motion designer jobs?
You can find and apply to video editor and motion designer jobs on Migrate Mate, which lists current openings from employers across the United States. Search the listings to find roles that match your skills, reel, and experience level, then apply directly to each one that fits.
See All 7 Video Editor and Motion Designer Jobs
Find roles that match your experience and apply in just a few clicks.
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